Concord Band Presents a Thought-Provoking Program (review)
Concord, Mass, March 7, 2015 —
On Saturday, March 7, I had the pleasure of attending the Concord Band's
“Portraits” concert with my family, including two fifth graders
and a third grader.
The band, under the direction of James O'Dell, played a series of pieces
that honored particular historical figures, beginning with Jack Kerouac.
Dichotomy...Impressions of Kerouac began with a presentation of
“Frere Jacques,” which then morphed into a 7/8 meter using
fuller instrumentation, and the minor mode.
This effect seems very popular with band composers lately: presenting a
theme in one meter, and changing it to a modern, percussion-heavy setting
with complicated rhythms.
The swell of the final section evoked the impression of water, and one
memorable moment was Judy Piermarini's beautiful tenor saxophone solo.
One highlight of the program was A Movement for Rosa by Mark
Camphouse, who created a piece in honor of Civil Rights Activist Rosa Parks.
Jim O'Dell explained to the audience ahead of time that the music is
intense, that it was designed to illustrate the challenges faced by Rosa
Parks during her lifetime, and also the dignity and beauty of her character.
Beginning with a single flute, the music builds emotionally and
uncomfortably. At the end of the piece, we hear a stunning harmonic
presentation of the unattributed American song “We Shall
Overcome,” followed by an unsettling final chord with dissonance that
reminds us all: We are not there yet.
With this backdrop still echoing in our consciousness from the first half,
the second half of the concert continued showing powerful historical
portraits, with the addition of Jordan Rich as the narrator.
Copland's Lincoln Portrait has been performed several times by the
Concord Band, but in my mind never with such feeling and expression.
The woodwind harmonies were particularly luscious.
The audience was called upon to think about the world in which Lincoln
lived, and the ongoing challenges of a nation divided.
The climax of the concert was the finale, Of Sailors and Whales,
by Francis McBeth.
The music was punctuated with text from Herman Melville's Moby Dick,
read by Jordan Rich, who was now speaking from an invisible location, the
disembodied voice of Ishmael.
Everyone expects this band to consist of great instrumentalists.
However, the score calls for nearly every band member to sing, sometimes in
two- and three-part harmony, in the third movement.
They did an outstanding job, with accompaniment by the tuba and the chimes,
and it serves as a reminder that the human voice is the most basic of all
Every musician is able to sing, and these band members proved that
beautifully! The rest of the piece depicted the imposing Captain Ahab, and
the sailors' terror of fighting an animal that could sink your ship with a
flick of his tail.
On the way home, my elementary school students and I had a wonderful
discussion about the issues raised in the concert, as well as the lovely
music we experienced.
I appreciated this opportunity to share meaningful topics of conversation,
especially on the eve of the 50th anniversary of the Selma “Bloody
Thank you to the Concord Band for a delightful evening in every way!
— Kathryn Denney
When Kathryn Denney submitted her review of the Concord Band Winter
Concert, she received the following very unusual response from Kathleen
Ragsdale, an editor at Wicked Local:
Thanks so much, Kathryn.
It isn't often that a review really makes me wish I had been at the
performance, but yours did.
One thing: Could you provide me with a sentence or two about yourself to
use at the end of the review offering your music credentials?
Thanks so much.
Kathryn Denney's response:
I am an elementary school music teacher in the Newton public schools where I
specialize in children's choir directing and teach beginning band instruments
to fourth graders.
During every instrumental class, I think about my goal for my students, to
choose groups like the Concord Band in which make music for the sheer
enjoyment, for decades to come.
I attended Oberlin conservatory of music, but I decided near the end of my
training as a professional horn player that playing music for the love of
it and sharing that love with others was far more rewarding and meaningful.
For additional information, contact Ken Troup,
Concord Band Publicity.
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